Faithful Fawnication
I'm satanic, people call me Matangi
Faithful Fawnication
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only-movies:

Brittany Murphy in “Love and other disasters”
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sunnicolon:

international blue
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"I want to roll over at 2 a.m. to a kiss from you not a text message"
(via wanksclub)
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westeastsouthnorth:

Yerevan, Armenia
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artruby:

Philip-Lorca diCorcia’s Hustlers series (1990–1992), on view at the David Zwirner Gallery. 
Taken just over twenty years ago in Los Angeles in the vicinity of Santa Monica Boulevard, Hustlers is considered to be one of diCorcia’s best-known series. It features male prostitutes posing for the camera for a fee loosely equivalent to what they would charge for their sexual services. DiCorcia paid the subjects with grant money awarded to him by the National Endowment for the Arts.
artruby:

Philip-Lorca diCorcia’s Hustlers series (1990–1992), on view at the David Zwirner Gallery. 
Taken just over twenty years ago in Los Angeles in the vicinity of Santa Monica Boulevard, Hustlers is considered to be one of diCorcia’s best-known series. It features male prostitutes posing for the camera for a fee loosely equivalent to what they would charge for their sexual services. DiCorcia paid the subjects with grant money awarded to him by the National Endowment for the Arts.
artruby:

Philip-Lorca diCorcia’s Hustlers series (1990–1992), on view at the David Zwirner Gallery. 
Taken just over twenty years ago in Los Angeles in the vicinity of Santa Monica Boulevard, Hustlers is considered to be one of diCorcia’s best-known series. It features male prostitutes posing for the camera for a fee loosely equivalent to what they would charge for their sexual services. DiCorcia paid the subjects with grant money awarded to him by the National Endowment for the Arts.
artruby:

Philip-Lorca diCorcia’s Hustlers series (1990–1992), on view at the David Zwirner Gallery. 
Taken just over twenty years ago in Los Angeles in the vicinity of Santa Monica Boulevard, Hustlers is considered to be one of diCorcia’s best-known series. It features male prostitutes posing for the camera for a fee loosely equivalent to what they would charge for their sexual services. DiCorcia paid the subjects with grant money awarded to him by the National Endowment for the Arts.
artruby:

Philip-Lorca diCorcia’s Hustlers series (1990–1992), on view at the David Zwirner Gallery. 
Taken just over twenty years ago in Los Angeles in the vicinity of Santa Monica Boulevard, Hustlers is considered to be one of diCorcia’s best-known series. It features male prostitutes posing for the camera for a fee loosely equivalent to what they would charge for their sexual services. DiCorcia paid the subjects with grant money awarded to him by the National Endowment for the Arts.
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nattonelli:

Debbie Grossman - Postmark (Letter, Punctuation Only)
nattonelli:

Debbie Grossman - Postmark (Letter, Punctuation Only)
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aubreylstallard:

Kay Kurt, Weingummi II, 1973